The Study

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Chapter 2: Wrestling with the beast

Having been disappointed by the first experiment, I started slowly introducing more instructions into each prompt, to see how far I can stretch the chatbot’s ‘creative freedom’. After establishing a rhyming scheme and a general theme, I made my first request.

As usual, the product contained mentions of light, sound, and the environment. It was even nice enough to identify the rhyming scheme for me in brackets after each line. I also noticed that each poem was always accompanied by a title, which was always straight and to-the-point, directly referencing the content.

Despite the morbid theme, the bot somehow managed to come to an optimistic conclusion, noting how death is just a beginning and it happens to all of us. Unless specifically asked, the bot will always default to a positive tone, unless directly asked otherwise, which is what I did with my next prompt.


The result was near-identical to the last in all aspects, except it was, indeed, pessimistic like I had asked. This was enforced by the eerie title and 100 “no’s” that made it very clear that this was a negative poem. At this point I was getting tired of the whispers, the echoes, and the dark, which were getting shoved into every piece like a requirement.

I got curious at how the bot would do with an absence of a rhyming scheme, so I requested a free-verse poem.

What was interesting about this, is that while I didn’t give it a theme, it settled on one from my previous requests, where I played around with haiku’s (spoiler!). The theme for those was time and truth, which this piece followed quite faithfully. It included all of the keywords I required in the other requests - past, present, future, truth, and lie - splitting them into a stanza each and simply defining them through metaphors and personifications. The only downside is that the poem felt quite random, with each stanza having little to do with the previous. Although the sections themselves had a confined meaning, the whole piece lacked continuity, and when read as whole, came across as quite nonsensical.

Overall, I preferred the free-verse poems a lot more than the other rhyming schemes, as they felt a lot less programmed, because there was no set repetitive structure. This at least gave off the impression that there was some level of improvisation, even if that too, was fake.


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